It is an escape from everything and everyone in the theatre experiences the same feels, emotions and thoughts; something they cant manipulate or regulate.
It is an escape from everything and everyone in the theatre experiences the same feels, emotions and thoughts; something they cant manipulate or regulate.There is the sense that something important and life changing is about to happen.
Artaud is known for likening the theatre to the plague.
One of his essays The theatre and the plague describes in detail the similarities he sees in the two.
Many of Artaud theories have been used by others, such as Grotowski, Peter Brook and the Royal Shakespeare Company.
It is also obligatory reading in many drama colleges.
The main points he raises are: That, like the plague, theatre acts on large groups and disturbs them all in the same way, it does not discriminate.
Artaud thought the theatre could impact on anyone and everyone.Theatre also takes gestures and develops them to the limit.Just like the plague, it reforges the links between what does and does not exist in material nature.Founder of the Theatre of Cruelty and a strong influence on Peter Brook, Antonin Artaud dedicated his life and sanity to purging the contemporary French theatre of its bourgeois tendencies. The influence of Antonin Artaud on the contemporary theatre has only become evident since the early Sixties, although writers and directors have been directly or indirectly influenced by his thinking and innovations for many years.It rediscovers the idea of figures and archetypal symbols which act like sudden silences, fermata, heart stops, adrenalin calls, incendiary images surging into our abruptly woken minds.For theatre can only happen the moment the inconceivable really begins, where poetry taking place on stage, nourishes and superheats created symbols.He joined the BBC in 194o, and was producer and scriptwriter in the European Services from 1941 to 1955. His main aim was to create a new type of theatre that would dismiss the idea of theatre as a mere attraction or entertainment.The audience cannot participate in the activities on stage, therefore they feel helpless.They do not have control over the behaviour of others (much as they would do in a home or work environment) and this itself could be potentially life changing; their way of thinking and reacting could be altered without their contribution.