Brand Essay Competition

Brand Essay Competition-11
Although the two boys didn’t fully understand the implications of a loss of a particular species in a food web or restrictive trade policies on poor countries without much arable land, they still yearned for more knowledge. A future lab scientist, or the next president to come out of the state of California?Early on, my mother could see this dichotomy developing within my own personality.State: California, USA High School: Public school, 422 students in graduating class Ethnicity: Biracial Gender: Male GPA: 4.5 out of 4.0 SAT: Reading 800, Math 800, Writing 800 ACT: 33 SAT Subject Tests Taken: Mathematics Level 2, Biology E/M, Physics, U. History Extracurriculars: Science Bowl team captain, intern at U. Congressman’s District Office, varsity tennis, Interact Club President, senior class president Awards: Ron Brown Goldman Sachs Scholar; CA Science Olympiad State gold medalist Major: Environmental Science and Public Policy ESSAY For the longest time there were two people waking up in my bed each morning, and neither of them knew who I was.

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Just as Bobby the new artist’s “lines began to unabashedly disregard the rules of depth or tonality,” so too did art slowly—from the playful light of Monet’s Impressionism, to the square faces of Picasso’s Cubism and the complete abstraction of Pollock’s expressionism—care less and less about how realistic it was and more about the message it conveyed.

In Bobby’s words, “It was the difference between drawing a man's face and using abstraction to explore his soul.” Disclaimer: With exception of the removal of identifying details, essays are reproduced as originally submitted in applications; any errors in submissions are maintained to preserve the integrity of the piece.

And I can't tell you exactly when or why my attitude changed, but eventually my own lines began to unabashedly disregard the rules of depth or tonality to which I had once dutifully adhered, my fervor leaving in its wake black fingerprints and smudges where once had existed unsoiled whiteness.

It was in this studio that I eventually made the leap into a new realm of art—a realm in which I was neither experienced nor comfortable.

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It was the difference between drawing a man's face and using abstraction to explore his soul.

But thus was the fundamental gap in my artistic understanding—the difference between the surface realities that I wanted to depict, and the profound though elusive truths of the human condition that art could explore.

Late evening rays streamed through these sprawling glass panes, casting a gentle glow upon all that they graced—paper and canvases and paintbrushes alike. The instructor sometimes talked, and we sometimes listened.

As day became night, the soft luminescence of the art studio gave way to a fluorescent glare, defining the clean rectilinear lines of Dillon Art Center against the encroaching darkness. Most of the time, though, it was just us—children, drawing and talking and laughing and sweating in the cluttered and overheated mess of an art studio.


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