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The early sixties were not known for an abundance of guitar driven groups.
Then the flatpick came along, the strings were gigantic, the bodies grew because of all those bass notes the flatpicks were picking.
By 1932 the neck shapes starting deepening, the scale length got shorter (on the 000's.) And then, the necks got narrow, both at the nut, to accommodate the swing chords of the era, and the saddle, to accommodate that poor little flatpick, forced to jump around all six strings by itself.
The guitars of 1929-1931 were the culmination of the growth and development of the American twelve-fret guitar from the second half of the Nineteenth Century and first couple of decades of the Twentieth, and all of that accumulated artistry and finesse was passed on to the new fourteen-fret guitars.
Neck shapes are sharp-vee'd to the point of discomfort; and, often, twelve frets just aren't enough.
Neck width was shaved 1/8" at the nut while the bridge spacing was left untouched.
If those guys only knew how perfect this combination of characteristics would be for us crazy fingerpickers fifty years later!
The predominant method of playing was fingerstyle, and the wide string spacing was almost perfect for that purpose.
As the Twenties eased out, and steel strings eased in, the modern steel-string was born.
The guitar originally had four courses of strings, three double, the top course single, that ran from a violin-like pegbox to a tension bridge glued to the soundboard, or belly; the bridge thus sustained the direct pull of the strings.
In the belly was a circular sound hole, often ornamented with a carved wooden rose.