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The obvious but simple answer is that if he did not take his time, we would have 'Hamlet: The Short Story' instead of 'Hamlet: The Classic Play'.There are, however, valid reasons for Hamlet's slow behaviour.Nevertheless, neither of these pat answers is sufficient to overcome our sense that Hamlet wavers in carrying out the commission laid upon him by the Ghost.
On the political side, it was common practice to cement peace treaties with a marriage between two ruling houses.
A wife's main function as queen was to produce a male heir for the King.
After learning of his uncle's crime, Hamlet comes into court in Act II, scene ii reading a book.
The association of Hamlet with "mere words" is strengthened by his penchant for ingenious but pointless verbal banter and highlighted by the inordinate number of soliloquies assigned to him by the playwright. (The entire section is 1,247 words.) Perhaps one of the most perplexing problems a modern audience may have with Shakespeare's Hamlet is the obvious question: what takes him so long to act on the Ghost's request for revenge?
In a kingdom like Denmark, which had an elected monarchy, it was doubly important that a future king be suitably matched for the peace and stability of the country.
Gertrude has produced Hamlet; however, the possibility of a direct heir for Claudius is remote, if not impossible, as Hamlet says: 'at your age/ The heyday in the blood is tame' (3.4.1617).The question of why Hamlet does not immediately avenge his father's death is probably the best-known critical problem in Shakespeare studies.The most obvious reply to this inquiry is that if the Danish prince moved at once upon the Ghost's report of foul "murther" and killed Claudius straightaway, then there would be no further story for Shakespeare to tell after the start of the play's second act.The tenants of this castle include the King's minister, Polonius, and his family, Laertes and Ophelia, as well as a coterie of government officials (Cornelius and Voltemand), guards (Marcellus and Bernardo and their companies), and courtiers (Osric, for example).In this environment, to have even a small amount of privacy is almost impossible since there is always someone somewhere.It proceeds from the counter-assertion that Hamlet does, in fact, act forcefully long before the play's final act.By Act V, Hamlet has invented the "mousetrap" of the play-within-a-play, slain Polonius and dragged his corpse away, persuaded the off-stage pirates to release him from captivity, and cleverly arranged the demise of his erstwhile schoolmates, Rosencrantz and Guildenstern.Moreover, after being told about the appearance of Ur-Hamlet's apparition on the walks of Elsinore Castle, Hamlet says to Horatio that he will speak with his father's ghost "though hell itself should gape/And bid me to hold my peace" (I, ii. Indeed, Hamlet casts aside the fears of Horatio and Marcellus about what awaits him when the Ghost beckons, and orders them to unhand him so that he can speak face-to-face with this awesome, fear-provoking figure.These prior acts are not those of a passive or timid soul.From this simplistic (if valid) standpoint, Hamlet's delay is essential to the tragedy's narrative progression.More important, while there is plenty of action in Hamlet (a stage work in which all of the major characters suffer untimely deaths), the play's plot is plainly subordinate to the tandem development of Hamlet's character and certain philosophical themes such as the knotty issues of mortality and chance.