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His descriptions are not just pretty pictures but tanged of the soil.He shows what he has observed of farm life, almost a glorification of the common place, for he would rather be just a plain New Hampshire farmer, not afraid of nature nor a runaway from it either, and it is the setting of the New Hampshire farmer in particular and the New England farmer in general that he portrays with so much realism.The dominant critical discourse surrounding the poet holds that beneath the surface of Frost s homespun wisdom and provincial charm beats the heart of a despairing man, whose poetry reflects the abandonment of hope, the stark confrontation between the frail and fleeting human and the indifferent and eternal universe.
Frost uses Nature to a great extent in his poetry, and of course it is the nature of New England.
Through his close observations of nature Frost shows his deep love for it but never comes right out and sings its praises.
Though often antagonistic to organized religion, Frost must nevertheless be recognized as a spiritual poet who combines doubt with faith, despair with hope and darkness with light.
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Ironically, Frost uses the word "blight" inferring the heal-all's backward influence, such as if aloe were to cause an infection.
Frost again uses irony proclaiming that these characters are "[m]ixed ready to begin the morning right" (5), as though they are part of a balanced breakfast,' a ritualistic practice which ensues good health.
Robert Frost's Design Robert Frost outlines an ironic and disturbing situation involving a flower, a spider, and a moth in his poem "Design".
The poem's text suggests the possibility of an absence of a god, but does no more than simply beg the question, for Frost's speaker does not offer the answer.
Robert Lee Frost, was born on March 26,1874 in San Francisco.
Frost spent the first eleven years of his life in San Francisco until the death of his father.