Tags: Essays On DiligenceCreative Writing StylesEconomics Research Paper FormatDatabase Security Research PaperS In Creative Writing In CaliforniaEssays About Money And HappinessCover Letter Software SalesSecond Point Of View Essay
Did the shift to intense realismherald a new tone in the narrative in the 1990s?Or did reality simply catch up with the nihilism anticipated by Golding and Burgess?
Welsh smartly realizes that a narrative about boredom needs to be exciting—paradoxically, that adds to the realism—and, as a result, his characters constantly stay on the move. In the final pages, this gang of druggies decide to make a big score.
They secure a large quantity of very pure heroin and aim to sell it to a London dealer for a huge profit.
In this installment of Let’s start by comparing three books.
In 1954, a British author published a novel (later turned into a successful film) about young men who adopt strange, ritualistic behavior and engage in savage acts of random violence.
Anthony Burgess's was considered a dystopian science fiction tale.
In 1993, a third British author published anovel (later turned into a successful film)about young men who adopt strange,ritualistic behavior and engage in savageacts of random violence.
Some such as Mark Renton, the closest thing to a 'hero' in this decidedly unheroic book, try to break the habit—Renton's tendency to introspection and critical reflection provide this book with its best, most thought-provoking passages.
On the other extreme, we find Rab "Second Prize" Mc Laughlin, who avoids sobriety the same way Dracula flees from the dawn, and hardly has a coherent moment during the course of the entire novel.
Much like Burgess in , Welsh allows his characters to speak in their own street jargon—and the novel even comes with a glossary at the back.
But, once again, what was an imaginative exercise in the earlier book has become a realistic turn in .